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Who Is Mr. Irresponsible?

  • ...and what is he doing here?

    Mr. Irresponsible is the pen name of the world’s most widely read advice columnist. His newspaper column, “Mr. Irresponsible’s Bad Advice,” ran in over 1100 newspapers until early 2004, when it was suddenly and without explanation suspended by its syndicate. He is the recipient of the Heidelberg Prize, the Baxter Award (1987 and 1999) and the Lifetime Achievement Award of the Personal Improvement Institute, which he refused, sending a life-sized cutout of teen idol Justin Timberlake to the awards luncheon in his place.

    Mr. Irresponsible has many enemies and must travel in disguise. He lives alone and likes it. Rumors that he "shot a man in Reno just to watch him die" have never been proven to have any basis in fact. Currently a party to 19 separate lawsuits involving his former syndicate and enjoined by the courts from working as a professional advice columnist, Mr. Irresponsible now utilizes shiny, futuristic weblog technology to dispense his wisdom directly to the public for free.

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    In answer to many requests, here's a selection from the ultra-rare and highly collectible "Mr. Irresponsible Sings!" LP. It's the album's only instrumental track, and longtime fans will remember it as the theme to Mr. Irresponsible's syndicated radio show, "Night Yak." It originally appeared as the B side of Mr. Irresponsible's hit single "Tell You What (To Do)," which charted as high as #7 in Scandinavia and Japan in the summer of 1964.

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Tuesday, November 08, 2005

The New Nots... Not

Long ago, in a previous life, Mr. Irresponsible was a feature writer for one of the big newsweeklies. (Note: When I say "a previous life" I'm talking about an earlier time in my actual current life. It's not a reference to some patchouli-soaked hallucination of a long-past existence in which I was a woman named Shahara or a small sunburned boy tilling the fields of Mesopotamia. I feel the need to clarify this because the mail this weblog gets is already quite weird enough, thank you.) In that capacity I learned to fear Tuesday mornings, for the following reasons: Monday was the day when sleepy, hacky wire-service reporters would rouse themselves from the torpor of the weekend to file their second-laziest stories of the week (the laziest appearing late on Friday or over the weekend). And Tuesday was the day when feature editors would wake up realizing they had two hours to cook up a slate of suggestions for that morning's editorial meetings, and would in a panic comb the wires looking for trends. A word about trends: As defined by the mainstream press, a trend is any set of two or more vaguely similar stories moving on the AP or Reuters wire in one 24-hour period, regardless of whether they are moored in observable reality or, much more likely, filed offhand as a sort of limbering-up for the actual work to come, the way ballplayers play pepper in the infield before the game. (See above.) So as a magazine writer on a Tuesday morning your job is clear: Sink the trend story you are inevitably about to be assigned. Bad-mouth it, start a whispering campaign against it, undermine it in ways both big and small. Then go out to lunch. Then spend the rest of the week avoiding your editor's eye.

All this is by way of saying: Man, am I glad I'm not a newsweekly feature writer today, because if I were, I'd be hunkered down trying to avoid writing a three-column meditation on what somebody up the food chain would probably have dubbed "The New Nots." The second I saw these three non-starters lined up on the AP entertainment wire like Manny, Moe and Jack, grinning their idiot grins and beckoning with their empty eyes, I knew some editor somewhere was ginning up a trend story:

Klein Doesn't Blame Cruise For Breakup
Chesney Doesn't Regret Zellwegger Marriage
Kid Rock and Pamela Anderson Not Dating

Stories like these raise questions in the normal mind, chief among them: Hey, who cares? But in the mind of the magazine editor, trained to troll for thready connections in the vastness of the Zeitgeist the way a Great White circles lazily, patiently, waiting for the tip of a flipper in the waters above, the mere fact of proximity renders these three dumbass non-stories something somehow larger than themselves: A trend. If I were still working those fields (and had been unable to plant the requisite seeds of doubt in my editor's mind) I'd be drafting something like this right about now:

Across Hollywood last week, from The Ivy to The Grill, the cream of young show business was exhibiting the latest in PR fashion: The artfully-crafted denial, the story that says "No" and yet "Yes" at the same time. Call them "The New Nots"...

I could go on. Once upon a time, I did. But I've been lifted up and borne away from all that, and you can be too. The next time you open a magazine and spot a story that you know in your heart has been cobbled together from the odd breakaway pieces of a pop culture that's ever more disposable, the next time you see in the opening paragraph the words Call it...  or Observers have dubbed it... or They are not alone... -- Do yourself a favor. Do as Mr. Irresponsible did all those years ago. Say to yourself, as I did to my editors on so many Tuesday mornings like this one: "You don't really want to do that, do you?" Then take yourself to lunch.

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